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LECTURE NOTES, THE WINE

Defining the Wine

The Physical Movement

At its core, the wine involves a continuous, circular movement of the hips. This motion can be slow and sensual or fast and vigorous, adapting to the rhythm and tempo of the accompanying music. The wine can be performed individually or as part of a group, and it often includes variations such as undulations, pulses, and shifts in direction.

 

Introduction

The Caribbean is a variety of cultural expressions, each woven with threads of history, spirituality, and community. Among these expressions, the “wine” stands out as a vibrant and potent symbol of identity, resistance, and celebration. The term “wine” refers to a specific style of dance movement characterized by the rhythmic, circular motion of the hips and pelvis, often synchronized with music. This article delves into the various dimensions of the wine, exploring its definition, cultural meaning, cosmological connections, gendered interpretations, and its place in both traditional and contemporary Caribbean dance forms.

The Cultural Context

The wine is prevalent in numerous Caribbean and African diasporic dance forms, including Soca, Dancehall, Merengue, Kwasa Kwasa, and others. It is a key component in both secular and sacred dances, reflecting its deep-rooted presence in the cultural fabric of these communities. The wine serves as a medium for storytelling, spiritual connection, and social interaction.

The Cultural Meaning of the Wine

Historical and Social Dimensions

Historically, the wine has been a site of cultural preservation and resistance. During the transatlantic slave trade, enslaved Africans carried their dance traditions to the Caribbean, where they evolved into new forms that integrated elements of African, European, and indigenous cultures. The wine, in particular, became a powerful expression of resilience and defiance against colonial oppression.

Spiritual Significance

In many African and Caribbean traditions, the wine holds profound spiritual significance. It is often used in rituals to invoke ancestral spirits, celebrate life transitions, and connect with the divine. For instance, in Voudun, Shango, and Kumina ceremonies, the movement of the hips is believed to channel spiritual energies and facilitate communication with the spirit world.

Contemporary Expressions

In contemporary Caribbean culture, the wine remains a potent symbol of identity and empowerment. It is prominently featured in popular music genres like Dancehall and Soca, where it serves as a vehicle for self-expression and communal celebration. Despite its commercialization, the wine retains its cultural and spiritual roots, reflecting the enduring resilience and creativity of Caribbean communities.

 

The Cosmo-Technical Approach

The concept of “cosmo-technical” teaching, as coined by Thomas “Talawa” Prestø, integrates spiritual, mythological, and cosmological elements with dance techniques. This approach reflects the holistic nature of African and Caribbean dance practices, where movement is not merely physical but deeply intertwined with spiritual and cultural knowledge.

 

Gendering the Wine

Historical Gender Roles

Traditionally, both men and women engaged in the wine, each bringing unique interpretations and significances to the movement. In many African and Caribbean societies, the wine was a communal activity that transcended gender boundaries, with both sexes participating in rituals and celebrations that featured the wine.

Contemporary Gender Dynamics

In contemporary Caribbean culture, the gender dynamics of the wine have become more complex. The male wine, in particular, has been subject to stigmatization and marginalization, especially within Dancehall culture. This shift reflects broader societal attitudes towards gender and sexuality, influenced by colonial and post-colonial power structures. However, in recent time the male wine is returning to Jamaica in the popular dances. It never left the cultural and spiritual dances.

The Male Wine and Masculinity

Thomas “Talawa” Prestø challenges the notion that the wine is inherently feminine. He argues that the male wine, far from signifying femininity or homosexuality, represents a reclaiming of Black male sensuality and autonomy. This perspective counters Western-influenced stigmatizations that emerged from the brutal history of slavery, where the Black male body was subjected to dehumanizing punishments.

The Female Wine and Empowerment

For women, the wine has been both a site of empowerment and a subject of contentious discourse. It allows women to reclaim their bodies, assert their sexuality, and express themselves in powerful ways. However, this expression often contends with societal expectations and respectability politics, navigating the fine line between empowerment and objectification.

Queer Perspectives

The queer community within the Caribbean has also engaged with the wine in ways that challenge heteronormative frameworks. The wine becomes a site of resistance and redefinition of gender norms, allowing queer individuals to assert their identities and claim space within the dance culture.

 

 

The Wine in Contemporary Caribbean Dance

Dancehall: A Space of Contradiction

Dancehall, a popular Jamaican dance genre, exemplifies the contradictions inherent in the public performance of the wine. It is a space where aggressive expressions of masculinity coexist with the celebration of the female form. The genre’s evolution has seen both the marginalization of the male wine and the hyper-visibility of female dancers.

Aggression and Sensuality

Dancehall often juxtaposes aggressive and sensual movements, reflecting the broader societal tensions around gender and sexuality. The male dancers engage in high-energy, acrobatic moves, while the female dancers emphasize fluidity and sensuality. This dynamic creates a complex interplay of power and desire on the dance floor.

Commercialization and Resistance

The commercialization of Dancehall has brought the wine to global audiences, but it has also commodified and sometimes distorted its cultural meanings. Despite this, Dancehall remains a site of cultural resistance, where dancers use the wine to assert their identities and challenge societal norms.

Soca and the Carnival Experience

In contrast to Dancehall, Soca and Carnival celebrations in Trinidad and Tobago emphasize the communal and celebratory aspects of the wine. These events highlight the inclusive nature of the wine, where both men and women freely express themselves in joyous, rhythmic movements.

The Role of Carnival

Carnival, as a space of collective joy and resistance, allows for a more fluid expression of gender and sexuality. The wine becomes a unifying force, breaking down barriers and creating a sense of community. It is during Carnival that the transformative power of the wine is most evident, as it brings people together in a shared celebration of life and culture.

Soca Music and Dance

Soca music, with its infectious rhythms and upbeat tempo, provides the perfect backdrop for the wine. The dance movements in Soca are characterized by their energy and exuberance, inviting dancers to engage fully with the music and each other. In this context, the wine is an expression of freedom and vitality, embodying the spirit of Carnival.

 

 

 

 

 

The Wine in African and Caribbean Cosmologies

The BaKongo Cosmogram

The BaKongo cosmogram, a central element in African cosmology, offers a profound framework for understanding the spiritual dimensions of the wine. The cosmogram charts the cyclical journey of the spirit from birth to adulthood, old age, death, and rebirth, mirroring the path of the sun. The anticlockwise motion of the wine aligns with this cosmological cycle, symbolizing renewal and continuity.

 

 

Spiritual Significance of the Anticlockwise Wine

The anticlockwise wine, often considered the “spiritual wine,” invokes the natural rhythms of the earth and the cosmos. It is seen as a potent gesture that connects the dancer to ancestral forces and the cycle of life. This movement is particularly revered in spiritual and ritual contexts, emphasizing its role in invoking life-giving energies.

The Role of Dance in African Spiritual Practices

In many African spiritual traditions, dance is a central element of religious practice. It is through dance that individuals connect with the divine, invoke ancestral spirits, and participate in communal rituals. The wine, with its rhythmic and circular movements, is particularly significant in this context.

Voudun and Orisha Traditions

In Voudun and Orisha traditions, the wine is used to invoke specific deities and facilitate spiritual possession. The movement of the hips is believed to open pathways to the spirit world, allowing dancers to communicate with the divine and receive guidance and blessings.

Kumina and Shango

Kumina and Shango practices also emphasize the spiritual significance of the wine. In these traditions, the wine is a means of channeling spiritual energies and participating in communal rituals that celebrate life and honor the ancestors.

The BaKongo Cosmogram and the Wine

The BaKongo cosmogram, with its emphasis on cycles and continuity, provides a profound framework for understanding the spiritual dimensions of the wine. The anticlockwise motion of the wine aligns with the cosmogram’s depiction of the journey of the spirit, symbolizing renewal and the eternal cycle of life.

The Spiritual Journey

The wine, as a physical manifestation of the cosmogram, represents the journey of the spirit from birth to death and back to birth. This cyclical motion reflects the interconnectedness of life and death, the material and the spiritual, and the individual and the community.

Historical Development

The wine has evolved over centuries, influenced by the cultural exchanges and historical events that have shaped the Caribbean. From its roots in African dance traditions to its contemporary expressions in Dancehall and Soca, the wine has adapted and transformed, reflecting the dynamic nature of Caribbean culture.

 

African Roots

The origins of the wine can be traced back to various African dance forms that emphasize circular hip movements. These dances were brought to the Caribbean by enslaved Africans, who adapted them to their new environments and integrated elements of European and indigenous cultures.

Colonial Influence

The colonial period was not able to suppress the wine.  Enslaved Africans used dance as a form of resistance and cultural preservation, while colonial authorities often viewed these dances with suspicion and sought to suppress them. Despite these challenges, the wine persisted, evolving into a powerful symbol of resilience and identity.

 

 

The Wine and Community

The Role of Dance in Building Community

Dance plays a vital role in building and maintaining community in the Caribbean. The wine, as a communal dance, fosters social bonds and creates a sense of belonging.

Social Cohesion

The wine brings people together, creating a shared experience that fosters social cohesion. It is a form of social interaction that transcends individual differences and unites people in a collective celebration of culture.

Intergenerational Connections

The wine also facilitates intergenerational connections, as dance traditions are passed down from one generation to the next. Through dance, elders share their knowledge and experiences with younger generations, ensuring the continuity of cultural practices.

The Wine and Healing

The wine also serves as a tool for healing, both on an individual and communal level. It provides a means of processing and expressing emotions, facilitating personal and collective healing.

Personal Healing

For individuals, the wine can be a form of catharsis, allowing them to release pent-up emotions and connect with their inner selves. It is a form of self-expression that promotes emotional and psychological well-being.

Collective Healing

On a communal level, the wine facilitates collective healing by bringing people together and creating a sense of solidarity. It is a way for communities to process collective trauma and celebrate their resilience and strength.

The Wine and Performance

The Aesthetics of the Wine

The aesthetics of the wine are characterized by its fluid, circular movements and rhythmic precision. It is a dance that emphasizes the connection between the body and the music, creating a harmonious and expressive performance.

Technical Mastery

The wine requires technical mastery and control over the body. Dancers must be able to isolate and manipulate their hips with precision, creating smooth and continuous movements that flow with the rhythm of the music.

Expressive Power

The wine is also a highly expressive dance, conveying a range of emotions and stories through movement. It is a form of storytelling that uses the body as a medium, allowing dancers to communicate their experiences and emotions to the audience.

The Role of Performance

Performance is a central aspect of the wine, as it is through performance that the dance is shared and celebrated. The wine is performed in a variety of contexts, from intimate gatherings to large public festivals, each with its own significance and meaning.

Intimate Performances

In intimate settings, the wine is often performed as a form of personal expression and connection. These performances create a sense of intimacy and vulnerability, allowing dancers to share their innermost selves with their audience.

Public Performances

In public settings, the wine is a form of communal celebration and spectacle. These performances bring people together in a shared experience of joy and celebration, showcasing the cultural richness and diversity of the Caribbean.

 

 

The Wine in the Digital Age

The Impact of Social Media

Social media has had a significant impact on the way the wine is shared and practiced. Platforms like YouTube, Instagram, and TikTok have facilitated the spread of Caribbean dance forms, bringing the wine to global audiences and creating new opportunities for cultural exchange.

Global Visibility

Social media has increased the global visibility of the wine, allowing dancers from around the world to showcase their skills and connect with others. This has created a vibrant online community of dancers and enthusiasts, fostering a sense of global connectedness and solidarity.

Cultural Exchange

The digital age has also facilitated cultural exchange, as dancers from different backgrounds share their interpretations of the wine and learn from each other. This exchange has enriched the practice of the wine, introducing new styles and techniques that expand its possibilities.

Challenges and Opportunities

While the digital age has brought new opportunities for the wine, it has also introduced challenges. The commercialization and commodification of Caribbean dance forms raise concerns about cultural appropriation and misrepresentation.

Cultural Appropriation

The global popularity of the wine has led to instances of cultural appropriation, where elements of the dance are taken out of context and used without respect for their cultural significance. This appropriation can lead to the erasure of the dance’s cultural roots and the marginalization of the communities that created it.

Preserving Cultural Integrity

In response to these challenges, there is a growing movement to preserve the cultural integrity of the wine and ensure that its practice remains rooted in its cultural and historical context. This involves promoting cultural education and awareness, as well as supporting the voices and contributions of Caribbean dancers and communities.

The wine, as a dance form, is a rich tapestry of cultural, spiritual, and social significance. Its circular movements resonate with deep-seated traditions and contemporary expressions, embodying the resilience and dynamism of Caribbean culture. Understanding the wine requires an appreciation of its historical roots, spiritual dimensions, and the ongoing negotiation of gendered identities within the dance space. By embracing the full spectrum of meanings associated with the wine, we can better appreciate its role in the vibrant and complex fabric of Caribbean life.

The wine is not merely a dance; it is a living expression of cultural heritage, a tool for resistance and empowerment, and a medium for spiritual connection and healing. As it continues to evolve in the digital age, it remains a powerful symbol of the enduring creativity and resilience of Caribbean communities. Through the wine, we celebrate our past, assert our identities, and envision a future where our cultural expressions are honored and preserved.

 

 

References

Braithwaite, T. W. (2009). Trinidad’s Camboulay Street Dance Play and the Carnivalesque Placebo – a Neurological Interface Between Social Theatre and Post Traumatic Slave Syndrome. In S. Jennings (Ed.), Dramatherapy and Social Theatre: Necessary Dialogues. New York: Routledge.

Daniel, Y. (2005). Dancing Wisdom: Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahian Candomblé. Chicago: University of Illinois.

Johnson, E. O. (2018). 5 Horrifying Ways Enslaved African Men Were Sexually Exploited and Abused by Their White Masters. Face2Face Africa. Retrieved from https://face2faceafrica.com/article/5-horrifying-ways-enslaved-african-men-were-sexually-exploited-and-abused-by-their-white-masters/3

Patten, H. (2020). Dancehall: A Continuity of Spiritual, Corporeal Practice in Jamaican Dance. Unpublished Thesis. Canterbury Christ Church University, Canterbury.