ABOUT
About
Teaching Philosophy Statement
CONTACT
FOUNDER
TUTORIALS
SNAKE- the 7 coils
THE SPIDER-ANANSI-(HANDS)
TALAWA DANCE THEORY
The Aesthetic Cosmogram: A Model of Africana Aesthetics
Talawa Grounding
T.A.P.A. Technical Adaptive Proprioceptic Acumen in the Talawa Technique™
TALAWA TRAINING NUCLEUS MODEL
The Talawa Weight Intention System
Cognosomatics an Africognosomatics
The Concept of Yanga: Dipping into Virtuosity
Smaddiaesthetic and Dancing Well
LECTURE NOTES, THE WINE
Groove Lecture notes
DANCE CONCEPTS
THE KINETIC ENTRAINER (Prestø)
RHYTHMOKINETIC EXTEMPORATION:
KINOWEAVING THE NOW: THE EMBODIMENT OF KINETIC PRESENCE IN PERFORMANCE
ARRIVING ON ACTION (Prestø)
REVITALIZING THE EXHAUSTED BODY (Prestø)
PERFORMANCE THEORY
CHORENOMMO, CHOREOWANGA, PERFORMANCEPWEN, COMMITTOGRAPHY
Smaddiaesthetic and Dancing Well
AFRICANA DANCE COMMON AESTHETIC THREADS AND FUNCTIONS
RhythmoKinetic Extemporation
RHYTHMOENVIRONMENTAL ACCLIMATION: NAVIGATING THE PULSE OF PLACE
POLYSPIRIT PRAXIS
Temporal Research Approach to Dance Creation
Cognosomatics an Africognosomatics
CORPORHYTHMIC PERAMBULATION: “SOLVING FOR SPACE”
THE CORPORHYTHMO COMPLEX (prestø)
RHYTHM PHYSICS AND RHYTHM RECEPTION
TALAWA PEDAGOGY
Cognosomatics an Africognosomatics
TECHNIQUE AS A VALIDATING INSTITUTION
THE GREETING AND OPENING CLASS
Comprehensive Protocol for the Talawa Grid and Scale Exercise
The Talawa Weight Intention System
T.A.P.A. Technical Adaptive Proprioceptic Acumen in the Talawa Technique™
TALAWA TRAINING NUCLEUS MODEL
Speech and Drumming
Rhythmokinetic Prosody and Rhythmokinetic Prosodic Sounding
Rhythmokinetic Accenting: A Methodology for Embodying Cultural Rhythms through Movement
Rhythmolinguistic Illiteracy
EMBODIED MNEMONICS: THE AFRICANA DANCE TECHNIQUE AS A CONFLUENCE OF TIME, SPACE, AND MEMORY
FULLJOYMENT PRAXIS JOCUNDITY AND FETELETICS
THE TECHNOLOGIES OF BODY & SPACE.
ENERGETIC FLOW GUIDANCE
AN EXPLORATION OF “WATER WALKS” IN CONTEXT OF MOTION AND METAPHOR
TALAWA RHYTHM THEORY
The Talawa Africana Rhythm Complex
RHYTHMIC OVAHSTANDING
TALAWA RHYTHMIC CONCEPTS
POLYRHYTHM
RHYTHMIC REENFORCEMENT AND MANIPULATIONS
DYNAMIC RHYTHMIC TENSION & METRIC TENSION
WORKSHOP QUESTIONAIRE
RESEARCH THEORY
Temporal Research Approach to Dance Creation
THE POLY-DIASPORIC RHYTHM MATRIX:
The Aesthetic Cosmogram: A Model of Africana Aesthetics
Understanding Africontinued and Afri-retentive Practices in Africana Cultures
STUDYING INDIGENOUS AFRICANA DANCE
Caribbean Dance Index
RESEARCH & TEACHING STATMENTS
RESEARCH Unveiling Africana Dance Practices through Multidimensional Frameworks
RESEARCH Expanding the Boundaries of Africana Dance through Talawa Technique and Smaddiaesthetics
RESEARCH Innovating Africana Dance Through Gestorhythmitization and Polycentric Movement
TEACHING STATEMENT Innovating Dance Pedagogy through the Talawa Technique
TEACHING STATEMENT Embracing Decolonial Pedagogy in Africana Dance and Choreography
CERTIFICATION
DANCE AND INSTRUCTION CERTIFICATION
WORKOUUT FORMS
TALAWA CORE & ESSENTIALS
Class & Workshop Reportform
Upper Body Workout
Lower Body Workout
Tilstedelister
LECTURE NOTED
Lecturenote on Dancehall
Groove Lecture notes
LECTURE NOTES, THE WINE
ABOUT
About
Teaching Philosophy Statement
CONTACT
FOUNDER
TUTORIALS
SNAKE- the 7 coils
THE SPIDER-ANANSI-(HANDS)
TALAWA DANCE THEORY
The Aesthetic Cosmogram: A Model of Africana Aesthetics
Talawa Grounding
T.A.P.A. Technical Adaptive Proprioceptic Acumen in the Talawa Technique™
TALAWA TRAINING NUCLEUS MODEL
The Talawa Weight Intention System
Cognosomatics an Africognosomatics
The Concept of Yanga: Dipping into Virtuosity
Smaddiaesthetic and Dancing Well
LECTURE NOTES, THE WINE
Groove Lecture notes
DANCE CONCEPTS
THE KINETIC ENTRAINER (Prestø)
RHYTHMOKINETIC EXTEMPORATION:
KINOWEAVING THE NOW: THE EMBODIMENT OF KINETIC PRESENCE IN PERFORMANCE
ARRIVING ON ACTION (Prestø)
REVITALIZING THE EXHAUSTED BODY (Prestø)
PERFORMANCE THEORY
CHORENOMMO, CHOREOWANGA, PERFORMANCEPWEN, COMMITTOGRAPHY
Smaddiaesthetic and Dancing Well
AFRICANA DANCE COMMON AESTHETIC THREADS AND FUNCTIONS
RhythmoKinetic Extemporation
RHYTHMOENVIRONMENTAL ACCLIMATION: NAVIGATING THE PULSE OF PLACE
POLYSPIRIT PRAXIS
Temporal Research Approach to Dance Creation
Cognosomatics an Africognosomatics
CORPORHYTHMIC PERAMBULATION: “SOLVING FOR SPACE”
THE CORPORHYTHMO COMPLEX (prestø)
RHYTHM PHYSICS AND RHYTHM RECEPTION
TALAWA PEDAGOGY
Cognosomatics an Africognosomatics
TECHNIQUE AS A VALIDATING INSTITUTION
THE GREETING AND OPENING CLASS
Comprehensive Protocol for the Talawa Grid and Scale Exercise
The Talawa Weight Intention System
T.A.P.A. Technical Adaptive Proprioceptic Acumen in the Talawa Technique™
TALAWA TRAINING NUCLEUS MODEL
Speech and Drumming
Rhythmokinetic Prosody and Rhythmokinetic Prosodic Sounding
Rhythmokinetic Accenting: A Methodology for Embodying Cultural Rhythms through Movement
Rhythmolinguistic Illiteracy
EMBODIED MNEMONICS: THE AFRICANA DANCE TECHNIQUE AS A CONFLUENCE OF TIME, SPACE, AND MEMORY
FULLJOYMENT PRAXIS JOCUNDITY AND FETELETICS
THE TECHNOLOGIES OF BODY & SPACE.
ENERGETIC FLOW GUIDANCE
AN EXPLORATION OF “WATER WALKS” IN CONTEXT OF MOTION AND METAPHOR
TALAWA RHYTHM THEORY
The Talawa Africana Rhythm Complex
RHYTHMIC OVAHSTANDING
TALAWA RHYTHMIC CONCEPTS
POLYRHYTHM
RHYTHMIC REENFORCEMENT AND MANIPULATIONS
DYNAMIC RHYTHMIC TENSION & METRIC TENSION
WORKSHOP QUESTIONAIRE
RESEARCH THEORY
Temporal Research Approach to Dance Creation
THE POLY-DIASPORIC RHYTHM MATRIX:
The Aesthetic Cosmogram: A Model of Africana Aesthetics
Understanding Africontinued and Afri-retentive Practices in Africana Cultures
STUDYING INDIGENOUS AFRICANA DANCE
Caribbean Dance Index
RESEARCH & TEACHING STATMENTS
RESEARCH Unveiling Africana Dance Practices through Multidimensional Frameworks
RESEARCH Expanding the Boundaries of Africana Dance through Talawa Technique and Smaddiaesthetics
RESEARCH Innovating Africana Dance Through Gestorhythmitization and Polycentric Movement
TEACHING STATEMENT Innovating Dance Pedagogy through the Talawa Technique
TEACHING STATEMENT Embracing Decolonial Pedagogy in Africana Dance and Choreography
CERTIFICATION
DANCE AND INSTRUCTION CERTIFICATION
WORKOUUT FORMS
TALAWA CORE & ESSENTIALS
Class & Workshop Reportform
Upper Body Workout
Lower Body Workout
Tilstedelister
LECTURE NOTED
Lecturenote on Dancehall
Groove Lecture notes
LECTURE NOTES, THE WINE
Class & Workshop Reportform
Class & Workshop Report
This form is used to report back from workshop or class
Email
Teacher
First
Last
Assistant #1
First
Last
Assistant #2
First
Last
Substitute
First
Last
Studio
Circle
Bårdar
Quick
Steps
Jump
Subsdans
Other
Other studio?
Price/Payment
TYPE OF CLASS
Date
DD dot MM dot YYYY
dd.mm.yyyy
Time started
:
Hours
Minutes
AM
PM
AM/PM
Time ended
:
Hours
Minutes
AM
PM
AM/PM
Style of class
Dancehall
African House
Talawa Technique
African Contemporary
Childrens class
Other
Tick down style of class
If other...specify here
Students
How many were in class?
What is the class average?
Number of boys
African Heritage
Intersectionality
Describe age range og students. What was the dominant group? Any noticeable changes? Is there a good mix of race, gender, age and orientation?
NOTES
What could be better?
Strength of class/reason for popularity?
Feedback from students
Feedback from Studio owner
Your own assessment
Any support needed?
Pictures/videos/documentation
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